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by Andrea Ponsi published on June 15, 2010
One of the characteristics of Florence's urban pattern is the recurring presence of an accidental geometry based on acute angles, deriving from the irregular street network. This singularity becomes evident while one is looking upward at the intersection of streets. The strong corners of the gutters and the corresponding voids of the streets meet at their diagonal axis. This “wedge” effect is also evident at ground level in those radial crossings where five or six streets come together, or in the angled edges of almost every piazza. This irregularity enters the interiors of houses and palaces, and repeats itself throughout. And the wedge-shape space of many rooms reverberates through the constant memory of the city's form.
by Melinda Gallo published on December 27, 2009
The first time I came to Florence for a visit I made the rounds of the monuments. I mostly remember seeing the Duomo, the Ponte Vecchio, and crowds of people everywhere. My initial impression of the Ponte Vecchio is that it was small, dirty, and congested. I was only in town for one day, and looking back I wish that I would've had time to contemplate the ponte (bridge) from the other ponti on either side of it. Instead I walked across it and back, peering into the brightly lit vetrine (shop windows) with gold jewelry on display.
by Andrea Ponsi published on September 22, 2009
I didn’t bring my watercolors with me. If I had, now, leaning against this railing at Piazzale Michelangelo overlooking the fields towards the Forte di Belvedere, I would take out a sheet of paper, dip my brush in water and mix my colors.
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